Posts Tagged ‘riefenstahl’

Triumph of the Will (1935)

June 19, 2012

Having made two short documentaries of the Nazi party during her early flirtation with the Nazi, Leni Riefenstahl was courted and commissioned by Hitler to make a feature documentary of the annual Nazi Party Congress in Nuremberg in 1934 – the final film would become the controversial The Triumph of the Will, a hypnotizing propaganda film that was both lauded and loathed, polarizing both critics and viewers still today.

The film opens with the following passage followed by a series of aerial shots intercut to look like being shot from the same plane that flied Hitler to Nuremberg:

On 5 September 1934
20 years after the outbreak of the World War
16 years after the beginning of German suffering
19 months after the beginning of the German rebirth
Adolf Hitler flew again to Nuremberg to review the columns of his faithful followers

Hitler arrived at the countryside received by crowd whose elation looked genuine and not staged. The scene set the tone for the rest of the film – Hitler, a messiah-like figure, raised from the rubble of the World War I, led and liberated Germany to her rebirth. Hitler’s appointment as chancellor from less than 2 years ago led to months of chaos in his party particularly the disintegration of the increasingly uncontrollable SA and its leader Ernst Rohm, prompting Hitler to tone down his racial policy and promote peace and unity.

The problem with the SA ultimately led to the Night of the Long Knives, after which it was important that Hitler was able to drum up the propaganda machine in Nuremberg and via Triumph to reassure the country unison and peace. In several speeches delivered by Hitler, it was almost surreal that he emphasized peace, love and unison, he almost looked that he genuinely believed in those words, and without hindsight the Hitler Youths standing before him were mesmerized by his dazzling oratory skills. There’s a creepy quality while watching the teens saluting Hitler yelling uniformly “Seig Heil!”

The film works with a hypnotizing power that one finds it hard to resist. This was obtained by powerful film language and innovative cameraworks such as aerial shots and tracking shots, which are taken for granted today but were extremely difficult back then. Hitler was often shot from an extreme low angle framing him with a God-like quality, intercut with close-ups of mesmerized faces of the audience. Special set was built so the grandeur of the Nazi architecture and carefully orchestrated rally could be fully captured.

The artistic relationship of Riefenstahl and Hitler was at the height during the making of Triumph, Riefenstahl was given a large budget that allowed her to hire a crew of 172 people (unheard of by the standard of the days) and influence how the rally was designed for the movie. Triumph was critically acclaimed both inside and outside Germany, making Riefenstahl one of the most prominent female filmmakers in the history. She was subsequently vilified after the war that she was never able to make another movie again. She was prosecuted frequently after the war, she was still being investigated for denying the Holocaust still in her 100th birthday in 2002.

Triumph raised the bars of propaganda filmmaking and documentary in general, although some would argue that it is not strictly a documentary as some scenes were reenacted in the studio. It is dull by today’s standards for it’s a tough job watching the Nazi talking heads speechifying 2 hours. The value of Triumph today lies mostly upon the historical value of the superbly filmed scenes of the Nazi rally and Hitler’s speeches. It also serves as a Faustian tale of an artist who seals the deal with the devil for the sake of arts.

Triumph of the Will is directed by Leni Riefenstahl, starring Adolf Hitler, Hermann Göring and Max Amann.